Kai-Zen, London Based Techno Collective




The Kai-Zen Blog
October 2011 'Time Flies'

Afternoon all...
Now that the summer months have settled and we’ve all stowed our flip-flops away in the wardrobe for the foreseeable future, we can sit back and reflect on what’s been another great summer of Dance. For me at least, this summer has been all about the Techno. I’d like to go on record and state that this isn’t because of a disinterest in House (or any other genre for that matter), far from it... it’s just that I seem to have tagged along to quite a few Techno events. Now i’m going to commit the unthinkable, and say that i’m not really the biggest fan of Techno in its current guise. I find a great deal of it to be quickly produced tedium, made all the worse by some DJ’s not knowing how to mix it (not naming any names). From my point of view, a substantial amount of the technorati have embraced the laptop as a preferred medium, and i’m all for it... Hell, why not use technology to create something amazing, rather than stick our noses up at it in some form of misguided traditionalist snobby protest? My problem arises from the fact that, considering most have no need to beatmatch anymore thanks to Traktor’s internal clock, a sizeable number of turntable-botherers still can’t muster anything more interesting than mixing one 10-minute record into another.... for 3 hours. I’m sorry, but seeing as though beatmatching (by nature) is a task that even primates could perfect, the fact that you need a computer to do this for you means that you’re not really a DJ at all are you? Just a thought.....

For the rest of you, I apologise for racing off on a tangent there, my intention was not to have a rant. No sir, what I was aiming to touch upon was that I always considered myself a devout fan of techno up until recently. I used to adore the driving loops of Italian producers like Rino Cerrone, and the relentless flow of class music that seemed to pour out of Slovenia. For what it was worth, the highlight of my walk to lectures consisted of sticking on a Sven Väth live mix and taking the scenic route to Uni.... I was late for class quite a lot of the time. It’s worth noting that it was around this time that I took the plunge and bought my first set of turntables. It’s also worth noting that I spent a great deal of my student loan on shipping hard-to-find vinyl EP’s from all over the world, to facilitate my insatiable hunger for Techno. Now it’s no secret that, just recently, i’ve been re-discovering this passion. I’ve gone as far as hosting my own night in Oxford just to give me a platform to share these tunes with the world, as I think it’s a crime that so many of these hard-fought-for gems are simply sat collecting dust on the shelves at the moment. Indeed, i’d much rather they’re shunned back into the limelight, for no other reason than it’s just nice to have a look where we were not so long ago... and whether that music has weathered the ravages of time. With that in mind, may I present to you a small selection of some of my favourites from the archives:

AZTEC MYSTIC – KNIGHTS OF THE JAGUAR (UNDERGROUND RESISTANCE)

 

Everyone knows this. An absolute classic in the history of Detroit Techno. It was remade not so long ago by Sebastien Leger, but everybody knows there’s only one true version. Aztec Mystic is an alias of DJ Rolando, and this record is one of only a very small number of releases to go under that name. Huge with pretty much every DJ to this day, it still sounds bang up to date in 2011... and not many records can claim that accolade.



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GAETANO PARISIO – DUB PISTOL (ZENIT)

Originally starting life as a one of Parisio’s Advanced Techno Research tools, this gained a full release as part of the Movida EP on Carola’s Zenit imprint. Now, a select few of you might have been fortunate enough to pick up the 3 x 12” Zenit Collectors Edition LP when it was released in 2004. This tune quite rightly made its way onto the shortlist, and it’s still one of my favourites to this day. Simple, catchy, and full-on. I doubt it would get much airplay these days, as the time of the harder-edged looped sound seems to have passed us by long ago, but it’s still superb in its own right.
  

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VALENTINO KANZYANI – HOUSE SOUL (INTEC)

 

I’ve got to be honest, I half expected Kanzyani to be sitting pretty at the alter of Techno gods in 2011. However, it hasn’t quite happened for the man. I’m not sure whether this is due to a creative dry-spell, or whether it’s simply personal choice, but it’s fair to say he’s drifted off the radar a little bit in recent years. He closed the Recycled Loops label (founded with Umek) in 2008, and it’s a shame, as around 2004 he literally could do no wrong. Still, rewind to 2001 and we unearth this excellent slice of funk, and one of the early successes of the now-digital Intec label owned by Coxxy. Would almost certainly still do the damage in any Tech-House set today.

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GABRY FASANO – LIFE CYCLES (ALCHEMY)

Horrendous. Really properly fucking horrendous. That’s the only way to describe this record. It had 99% of DJs back in 03/04 chomping at the bit to find out what it was called, and when it finally dropped as one of the first batch of releases on Picotto’s new Alchemy label, it promptly sold out across the land. I can’t think of any other record that’s similar to this, which is just as well, as my brain would probably leak out my ears if I had to listen to a whole night of it. Wouldn’t stop me trying though....


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DANILO VIGORITO – IMAGINARY BOY EP 1 (ZENIT)

 

Another stormer from Zenit, this time from one of the oldest names in the business. This effort is probably the record that’s received the most replays from me over the years. Unfortunately it was also a firm favourite of Judge Jules upon release, but ignore that, because this is one of the finest examples of how a stratospheric bassline is all you really need to pump a record. Driving in every sense of the word, it comes across like a ballistic missile and keeps up the pace for 6 minutes. Unlike a lot of Techno numbers, you couldn’t layer anything over the top of this, and nor would you want to. Some things are best left untouched.

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DAVE CLARKE – RED 1 (BUSH)

Pretty sure I don’t need to introduce this masterpiece. Fans of Detroit Techno will be well accustomed to the early workings of Mr Clarke, and his much-sought-after ‘Red’ series are testament to why he’s held in such high regard amongst those in the know. I’ve got Red 1 and Red 3 on vinyl (red vinyl I might add...) and this is my favourite of the two. One of these days i’ll get my arse in gear and purchase the 2nd instalment, but for now just enjoy this beauty. Reversed synths and slick percussion are the order of the day, and you just know that if it got a spin in Fabric’s room 2, there wouldn’t be much left after it finished. Truly unparalleled carnage from some of the safest hands in Techno. Take it away Dave...


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