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“I’ve been playing it a lot this year and it always smashes it. The track is quite simple but it works really well. It’s also really nice to use as a tool to layer with other tracks” |
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“This was a tough choice this year, as there have been so many excellent break-through artists such as DVS1, Marcelus, SP-X and Kai-Zen’s own Roberto” |
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“Going on the fact that since I acquired the track midsummer, I've played it in every set and mix without question. I came to know about him through mutual friends rather than finding him through being charted in some big name jocks top 10. I kept an eye on his label Diacope, and discovered the track in question. It stood out for me firstly just because of its overall volume. It literally shouts at you. But it is by no means full throttle. The BPM is fairly sedate, and it's very stripped back. However each individual element sounds full, with not a frequency wasted. From the deep menacing subs, through the low metallic strikes of the lead, to the crisp hats. But far from just being well engineered, it builds, it's groovy, and it's frustratingly simple in its execution. This will continue to get hammered into 2012” |
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“Covers all the bases that makes Monoloc such a fantastic producer. Driving, dark, full of energy and a groove that sets and keeps excellent momentum throughout.” |
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“It’s quite a recent tune, but for me this has to be one of the most beautiful Deep House tunes of 2011. Incidentally, Inxec is also my favourite producer of the year alongside Maceo Plex. Both are a staple part of my sets now that I have moved on to a deeper sound” |
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“Astonishing… the only word that describes it. Forward-thinking electronica from one of the most accomplished and exciting artists to break through in recent years. I’ve always been a fan of Pivot, but Nathan takes the raw elements of their gritty live onslaught, and twists it into an ethereal beauty that just makes me stop whatever I’m doing and listen. I also love the way he fucks with your ears at around the 2:56 mark, and how he can craft a tune like this out of a production set-up that is the very definition of basic. In fact, his signature is all over this record, and I know I’ll be enjoying it in years to come. A full complement of thumbs way way up to you Mr Fake, truly outstanding work.” |
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